Showing posts with label Deconstruction. Show all posts
Showing posts with label Deconstruction. Show all posts

21 April 2008

A Monday Melange

Looking for an excuse to read a really good book? Look no further: The New York Times Reading Room blog is reading Marilynne Robinson's Housekeeping. Pounce! (Tip of the Hat to Maud for putting us onto it.)

Uh, oh! Lookout! Those bad bad French theorists are coming back. (Don't you just hiss when you say that word?) It began with a Stanley Fish blog at nytimes.com when I was on Spring Break. Now, there's a part deux. The Reading Experience got in on the act early. And Scott McLemee did too. As did, apparently, over 600 commenters at Fish's blog. DFH's all. [I jest]. Our take is that Deconstruction is merely another flavor of analysis, not too distant from what Wittgenstein was up to in Philosophical Investigations or, even Kurt Godel. Yet, because it was too European, it threatened too many in the Anglo-American analytical philosophy camp. Still, one issue I might raise with Ghoti: Isn't taking a relativist position necessarily a political move? Fact is, Sartre and the existentialists declared that every act is a political act. Isn't Deconstruction, on Fish's appreciation, then, merely the antithesis of this move rather than a challenge to the 'truth' police?

There's never a bad time to check out The Valve or 3Quarks.

I'll end this post with a quote from my favorite crank, William Gass:
What the public wants, as the Pulitzer sees it...is an exciting story with a timely theme, although it may have a historical setting. The material should be handled simply and delivered in terms of sharp contrasts in order that the problems the novel raises can be decisively resolved. Ideally, it should be written in a style that is as invisible as Ralph Ellison's invisible man, so that the reader can let go of the words and grasp the situation the way one might the wheel of the family car. And since most of the consumers of fiction are women (or they were until women went in for the professions and other public works and now return home as tired and weary and in need of the screen's passive amusement as men), it won't hurt to fulfill a few of their longings, to grant, now and then, unconsciously an unconscious wish. Because we have a large, affluent, mildly educated middle class that has fundamentally the same tastes as the popular culture it grew up with, yet with pretensions to something more, something higher, something better suited to its half-opened eyes and spongy mind, there is a large industry of artists, academics, critics, and publicists eager to serve it—lean cuisine, if that's the thing—and the Pulitzer is ready with its rewards.
No, this prize for fiction is not disgraced by its banal and hokey choices. It is the critics and customers who have chosen and acclaimed them, who have bought the books and thought about them and called them literature and tried to stick them like gum on the pillars of our culture. It is they who have earned the opprobrium of this honor. Wm. H. Gass, "Pulitzer: The People's Prize," in Finding a Form, pp. 12-13.

OUCH!!

21 January 2008

Différance


Sameness: e pluribus unum. From the many, one. This is the project of the Enlightenment. Reason —> Empire.

It seems, in the battle between faith and reason, reason has led us into the same sort of political cul de sac that faith led us into earlier; there is a tendency in the political arts toward totalitarianism, whether it is faith-based or rational.

Into this breach steps a French philosopher named Jacques Derrida. He wrote a virtually unreadable paper called "Differance". With an 'a'. The gist of it is a challenge to these constructivist programs.

Others, of course, picked up the flaws in this totalizing tendency of Western thought beginning with Gödel's "On Formally Undecidable Propositions" and picking up with Wittgenstein's own self-critical Philosophical Investigations. How you get from a critique of the completeness of axiom-driven mathematical systems (Gödel) and a critique of linguistic philosophy in terms of "language games" and "forms of life" (Wittgenstein) to the fractiousness of deconstructionism and from there to any kind of statement about Western wisdom and contemporary politics is beyond the scope of a simple blog post.

The point is these are the origins of what is often called 'post-modernism' in academics: that is, the breakdown of totalizing systems and the emphasis on interest-based critiques such as Marxism (classism), feminism, racialism, queer theory, Freudian analysis, etc.

Bottom line: The situation we find ourselves in, nowadays, is more a celebration of differences, than of our sameness. Out of the many, MANY. Not unity, but diversity.